Nicky led the cow to the foot of the grave. He rubbed its forehead and it seemed to respond to him the way dogs do to other people. Well, as much as a cow can behave like a dog; I think this was one animal I just was never going to understand, but since the only interaction I had with them was killing them to raise the dead, it was probably just as well. Theoretically it didn’t have to be livestock. I knew some animators who used cats instead of chickens, but I just couldn’t do it. I liked cats.

Dino came to the other side of the cow but didn’t touch it. He was only there in case the cow complained. If I was fast enough the cow wouldn’t have time to be scared or feel pain; it would be over in seconds. If I hit the jugular right. If I didn’t, then it could get messy and dangerous, and it would frighten the cow. She’d been headed to the slaughterhouse because she’d stopped producing enough milk, or butterfat, or whatever, which they’d had to disclose when they sold it to us. I’d been doing pretty good at thinking of the cow as it, until Nicky started scratching its head and it—she—liked it. Now she seemed more real, and I was still going to have to kill her. The historical society had paid for me to raise over two hundred years’ worth of corpse. I was about the only animator in the country who could guarantee a zombie this old that could remember its past and answer questions without a human sacrifice. There were definitely worse things that could be dying on this grave than a walking milk machine. Human sacrifice was illegal, but you heard rumors, there were always rumors; in fact, some of them were about me. But anyone who had died on one of my graves had been trying to kill me at the time. You should never attack a necromancer in a cemetery; it’s like chasing Rambo into a building full of loaded guns. Some people seem to help you kill them.

If it’s a chicken, you behead it. A goat, you slit its throat ear to ear. A cow is too big for either if I wanted a clean kill. I stroked my hand down the side of its neck while Nicky continued to scratch its head. Its neck was surprisingly soft to the touch, or the hair was. I found the big pulse, thudding thick and sure against my fingers. A bigger animal seems to have a bigger pulse; maybe it’s just because the heart is bigger, but this was sure and certain. I had a moment to think, I could do this without killing the cow. I could cut my own flesh, use my own blood, but the zombie wouldn’t be as solid. Over a hundred years was too old to be brought back by just a few drops of my own blood and guarantee it could answer questions. The historical society had questions and they were paying for answers. I could have cut Nicky’s arm and had him walk the circle with me. It would work, and the zombie would be very, very alive, or that had been what happened the only time I’d used Micah’s blood to walk a circle. The zombie had been too alive. It had almost killed me trying to break the circle of my power. Of course, with Micah by my side the whole cemetery had been more alive. He was my Nimir-Raj, my leopard king, and our bond was more intimate than Nicky being my Bride. But that zombie had only been weeks dead, so probably even Micah wouldn’t be able to help me this time with just a cut to drip blood on the grave.

Even if I took the cow back, they’d simply kill her there. It wasn’t a choice of the cow living; it was a choice of how she died. Here she would die to raise the dead and help clear up historical inaccuracies. At the slaughterhouse she’d die just to be animal food. There, I’d called her she again. It wasn’t like me to be sentimental about the sacrifices. But the pulse under my hand was so certain of itself. She might be past milk production, but this was a healthy animal and she’d live for years if someone gave her the chance. I shook my head, hard. Stop it, Anita, just stop it. But I was beginning to remember why I preferred chickens. I never seemed to feel as sympathetic to them.

“You all right?” Nicky asked.

I glanced up at him and nodded. “Fine,” I said, and wasn’t sure if it was the truth, but whatever my feelings I knew my job. “Shield her eyes on this side so she doesn’t see the blade flash in the moonlight.”

I didn’t have to ask him twice; he handed the halter rope to Dino and put his free hand near her eye, cupping it so her vision was obscured. He kept scratching her forehead the whole time, and she lowered her head so he could reach more spots. For a cow, there are worse ways to go.

I knelt by my leather satchel. It was a leather overnight bag, vaguely in the shape of a gym bag. Once a real gym bag had been what I’d carried my zombie-raising equipment in, but for last Christmas Jean-Claude had gotten me this. It was a nice bag, a really nice bag, too nice a bag for all the blood and death it was surrounded with. I’d taken it graciously and used it religiously, but I didn’t like it. The things you do when you’re in a committed relationship. Sigh. It was a really nice bag.

The leather smelled rich and warm in the summer night as I opened it up. I realized it was the final product of another cow. I wasn’t sure if that was ironic or disturbing. I got two things out of the satchel: a bowl and a blade. The bowl was smooth ceramic, handmade by an artist here in Missouri. The color was shades of blue from pale to almost black. The finish made it gleam in the moonlight. I could have caught the blood in anything, but it seemed respectful to use something special. The bowl was bigger than my normal one but was just a nicely made bowl. There was no magic to it. My machete was wrapped in its newly made sheath, so that the blade didn’t slide around and damage the nice cloth and leather interior of the new satchel. I thought about having Dino hold the bowl for me, but I wanted his hands free in case the cow got frisky. I placed the bowl on the grass at the edge of the grave.