“Never got around to it,” I said.

And for some reason, I resisted asking the question in return. Jenny wasn’t wearing a wedding ring. But that didn’t mean anything, and right then I decided I didn’t want to know.

We sat in silence for a few seconds.

“Is your mother comfortable?” Jenny said.

“She’s sleeping, mostly. When she’s awake, she doesn’t recognize me.…”

I frowned. Jenny prompted me.

“Except?”

“Except for the first time I saw her.”

And because, once again, it felt safe to talk to Jenny, I told her what my mother had said on that first visit. How I shouldn’t be here. About there being red hands everywhere. That there was something in the house.

Jenny shook her head.

“What was in the house?”

“I don’t know,” I said. “Nothing, I guess. There was a box of my old stuff she’d been looking through, so maybe she was just feeling guilty about me seeing that. But she’s confused. It probably doesn’t mean anything at all.”

“Yeah, but you mentioned it. It’s clearly been bothering you.”

I hesitated.

“Because I’ve been doing my best not to think about it. I’ve done some cleaning, some tidying. I’ve sat with her.” I gestured at nothing. “I just want to do whatever I need to and then get out of this place. Go back home. Leave the past where it belongs.”

Jenny had started shaking her head before I finished.

“But that’s bullshit, Paul. You don’t have to worry about any of that. I mean, look at the pair of us now. Is it weird to see me again?”

“No. It’s nice.”

“Exactly. And I’m the past, aren’t I? The past was a long time ago. It can’t hurt you anymore.”

“Maybe.”

She checked her watch, then drained her wine.

“I need to go.” She stood up. “But if you’re worried about what your mother said, just … do something about it? You might be right—it might be nothing. But there’s nothing to be scared of here.”

“Maybe.”

“Listen to you: Captain Maybe.” She hitched her bag onto her shoulder. “Maybe I’ll see you around?”

“I hope so,” I said.

And I felt that warm feeling in my chest again as I watched her walk to the door. A small light in the shadows. It was like a candle flame I wanted to cup with my hands, blow on gently, and bring to brighter life. But, of course, there was always a danger when you did that.

Always a risk you would blow it out instead.

EIGHT

Do something about it.

Jenny’s words remained with me the next morning, and as I showered in the small beige stall in the old bathroom, I decided she was right.

Oh God, it’s in the house, Paul.

It’s in the fucking house!

Whatever my mother meant when she said it was in the house, it was probably nothing. There was nothing to be afraid of here, and I thought that before I finally did leave this place forever, I needed to find out for certain. When I turned the shower off and began drying myself, it felt like the silence in the house was humming.

Expecting.

I had been attempting to do some work in my old bedroom, and my laptop was set up on the desk there. After I was dressed, I walked in and moved it to one side. Then I picked up the box of my teenage belongings and emptied the contents methodically onto the desk, one item at a time.

The notebooks and dream diary.

The writing magazine.

The slim hardback book. Young Writers.

Each item brought a flash of recognition. They felt like magical artifacts that, together, told a kind of story. I picked up the magazine, the old pages coarse and stiff against my fingers, and saw the cover—The Writing Life—then turned it over and read the back, feeling the years slipping away from me. I put it down again. Despite my fresh resolve, the narrative told by these things was not one I was prepared to follow through from beginning to end just yet. And despite what I’d suggested to Jenny, while my mother had clearly been looking through the box, I wasn’t convinced it was this she had been referring to.

So what was it?

Until now, I’d spent much of my time in the house tidying: wiping down the surfaces in the kitchen; removing the blankets from the front room and storing them in the wardrobe; sweeping and polishing. But rather than being productive, it had felt like procrastination. Now I steeled myself and set about trying to answer the question my mother’s words had set for me. I opened drawers and cabinets, rattling through the contents. I pulled out clothes and scattered them, and lifted cushions and piled them on the floor. After days of approaching the house with care, I dedicated myself to the opposite now: grabbing it and pulling out its stuffing, searching for anything that might explain what she’d said.

Nothing.

Or at least, nothing that helped. But there were memories here, fluttering out of the seams of the house like dust. Working through my mother’s clothes, I recognized items I remembered her wearing: old jeans, worn through over the years and patched at the knees and the side of the hips; the flimsy black coat she’d always managed with in winter; a bag full of shoes, paired upside down and pressed so flat they seemed glued together.

And alongside the memories were mysteries: artifacts of a life I knew little of. In a small jewelry box I discovered rings and bracelets, and a locket on a chain that, when I clipped it open, revealed an oval black-and-white photo of a woman I didn’t recognize. My grandmother, perhaps, but it was impossible to tell, as even the parts of my past I hadn’t chosen to forget were shrouded in mist. It occurred to me that, when my mother died, I would be all that was left of a family I hadn’t known, and for a moment all my adult confidence evaporated and I was left feeling lost and unmoored.

But the strangest thing was the photographs, which I found gathered haphazardly in a shoebox, filling it to the brim. I emptied it onto the bed and then spread the photos out, forming an overlapping mosaic on the sheets. There was no order to it. Different points in the past mingled freely, resting above and below each other; people and places from separate ages sat side by side.

I was there.

I picked up a photograph of me as a baby, cradled in my mother’s arms. I was crying, but while she looked exhausted, she was smiling. There was one of me on the driveway, maybe about three or four years old, toddling along and grinning happily at someone outside of the frame. Six years old, riding a bike with training wheels. A school photo at eight or nine, my home-cut hair slightly ragged and my cheeks dotted with freckles. My eleventh birthday, with my hands thrust in my pockets, my thin shoulders a coat hanger for my clothes, standing awkwardly beside the cake she had made for me.

And she was there too.

It wasn’t the ones with me in them that caught my eye so much as the older photographs: images so faded it was like the paper they were printed on was forgetting them. There was a black-and-white photo of my mother as a little girl, lying down in the grass and smiling shyly at the camera, a book splayed open before her. In another, she was a little older, standing outside a house I didn’t know, shielding her eyes against the sun.

But it was the shots of her as a teenager that struck me the most. She had been beautiful, and the photographs caught her in unguarded moments, her face unlined, a whole life ahead of her, her eyes sparkling as she laughed. I found a staged group shot of five people sitting on steps. I didn’t recognize three of them, but my mother was on the right, next to a teenage boy I realized with a jolt was a young Carl Dawson—a boy who would eventually grow up to marry Eileen and become James’s stepfather.