(he runs quite fast Coach Black had told his mother and he ran plenty fast with that rotting thing after him oh yes you better believe it you bet your fur)

in this dream where he was eleven years old, and then he had smelled something like the death of time, and someone lit a match and he had looked down and seen the decomposing face of a boy named Patrick Hockstetter, a boy who had disappeared in July of 1958, and there were worms crawling in and out of Patrick Hockstetter's cheeks, and that gassy, awful smell was coming from inside of Patrick Hockstetter, and in that dream that was more memory than dream he had looked to one side and had seen two schoolbooks that were fat with moisture and overgrown with green mold: Roads to Everywhere, and Understanding Our America. They were in their current condition because it was a foul wetness down here ('How I Spent My Summer Vacation," a theme by Patrick Hockstetter-'I spent it dead in a tunnel! Moss grew on my books and they swelled up to the size of Sears catalogues!'). Eddie opened his mouth to scream and that was when the scabrous fingers of the leper clittered around his cheek and plunged themselves into his mouth and that was when he woke up with that back-snapping jerk to find himself not in the sewers under Derry, Maine, but in an Amtrak club-car near the head of a train speeding across Rhode Island under a big white moon.

The man across the aisle hesitated, almost thought better of speaking, and then did. "Are you all right, sir?"

"Oh yes," Eddie said. "I fell asleep and had a bad dream. It got my asthma going."

"I see." The paper went up again. Eddie saw it was the paper his mother had sometimes referred to as The Jew York Times.

Eddie looked out the window at a sleeping landscape litten only by the fairy moon. Here and there were houses, or sometimes clusters of them, most dark, a few showing lights. But the lights seemed little, and falsely mocking, compared to the moon's ghost-glow.

He thought the moon talked to him, he thought suddenly. Henry Bowers. God, he was so crazy. He wondered where Henry Bowers was now. Dead? In prison? Drifting across empty plains somewhere in the middle of the country like an incurable virus, sticking up Seven-Elevens in the deep slumbrous hours between one and four in the morning or maybe killing some of the people stupid enough to slow down for his cocked thumb in order to transfer the dollars in their wallets to his own?

Possible, possible.

In a state asylum somewhere? Looking up at this moon, which was approaching the full? Talking to it, listening to answers which only he could hear?

Eddie considered this somehow even more possible. He shivered. I am remembering my boyhood at last, he thought. I am remembering how I spent my own summer vacation in that dim dead year of 1958. He sensed that now he could fix upon almost any scene from that summer he wanted to, but he did not want to. Oh God if I could only forget it all again.

He leaned his forehead against the dirty glass of the window, his aspirator clasped loosely in one hand like a religious artifact, watching as the night flew apart around the train.

Going north, he thought, but that was wrong.

Not going north. Because it's not a train; it's a time machine. Not north; back. Back in time.

He thought he heard the moon mutter.

Eddie Kaspbrak held his aspirator tightly and closed his eyes against sudden vertigo.

Chapter 3 SIX PHONE CALLS (1985) (V)

5

BEVERLY ROGAN TAKES A WHUPPIN

Tom was nearly asleep when the phone rang. He struggled halfway up, leaning toward it, and then felt one of Beverly's breasts press against his shoulder as she reached over him to get it. He flopped back on his pillow, wondering dully who was calling on their unlisted home phone number at this hour of the night. He heard Beverly say hello, and then he drifted off again. He had put away nearly three sixpacks during the baseball game, and he was shagged.

Then Beverly's voice, sharp and curious-'Whaaat?'-drilled into his ear like an ice-pick and he opened his eyes again. He tried to sit up and the phone cord dug into his thick neck.

"Get that fucking thing off me, Beverly," he said, and she got up quickly and walked around the bed, holding the phone cord up with tented fingers. Her hair was a deep red, and it flowed over her nightgown in natural waves almost to her waist. Whore's hair. Her eyes did not stutter to his face to read the emotional weather there, and Tom Rogan didn't like that. He sat up. His head was starting to ache. Shit, it had probably already been aching, but when you were asleep you didn't know it.

He went into the bathroom, urinated for what felt like three hours, and then decided that as long as he was up he ought to get another beer and try to take the curse off the impending hangover.

Passing back through the bedroom on his way to the stairs, a man in white boxer shorts that flapped like sails below his considerable belly, his arms like slabs (he looked more like a dock-walloper than the president and general manager of Beverly Fashions, Inc.), he looked over his shoulder and yelled crossly: "If it's that bull dyke Lesley, tell her to go eat out some model and let us sleep!"

Beverly glanced up briefly, shook her head to indicate it wasn't Lesley, and then looked back at the phone. Tom felt the muscles at the back of his neck tighten up. It felt like a dismissal. Dismissed by Milady. Mifuckinlady. This was starting to look like it might turn into a situation. It might be that Beverly needed a short refresher course on who was in charge around here. It was possible. Sometimes she did. She was a slow learner.

He went downstairs and padded along the hall to the kitchen, absently picking the seat of his shorts out of the crack of his ass, and opened the refrigerator. His reaching hand closed on nothing more alcoholic than a blue Tupperware dish of leftover noodles Romanoff. All the beer was gone. Even the can he kept way in the back (much as he kept a twenty-dollar bill folded up behind his driver's license for emergencies) was gone. The game had gone fourteen innings, and all for nothing. The White Sox had lost. Bunch of candy-asses this year.

His eyes drifted to the bottles of hard stuff on the glassed-in shelf over the kitchen bar and for a moment he saw himself pouring a splash of Beam over a single ice-cube. Then he walked back toward the stairs, knowing that was asking for even more trouble than his head was currently in. He glanced at the face of the antique pendulum clock at the foot of the stairs and saw it was past midnight. This intelligence did nothing to improve his temper, which was never very good even at the best of times.

He climbed the stairs with slow deliberation, aware-too aware-of how hard his heart was working. Ka-boom, ka-thud. Ka-boom, ka-thud. Ka-boom, ka-thud. It made him nervous when he could feel his heart beating in his ears and wrists as well as in his chest. Sometimes when that happened he would imagine it not as a squeezing and loosening organ but as a big dial on the left side of his chest with the needle edging ominously into the red zone. He did not like that shit; he did not need that shit. What he needed was a good night's sleep.

But the numb cunt he was married to was still on the phone.

"I understand that, Mike... yes... yes, I am... I know... but..."

A longer pause.

"Bill Denbrough?" she exclaimed, and that ice-pick drilled into his ear again.

He stood outside the bedroom door until he got his breath back. Now it was ka-thud, ka-thud, ka-thud again: the booming had stopped. He briefly imagined the needle edging out of the red and then willed the picture away. He was a man, for Christ's sake, and a damned good one, not a furnace with a bad thermostat. He was in great shape. He was iron. And if she needed to relearn that, he would be happy to teach her.

He started in, then thought better of it and stood where he was a moment longer, listening to her, not particularly caring about who she was talking to or what she said, only listening to the rising-falling tones of her voice. And what he felt was the old familiar dull rage.

He had met her in a downtown Chicago singles bar four years ago. Conversation had been easy enough, because they both worked in the Standard Brands Building, and knew a few of the same people. Tom worked for King amp; Landry, Public Relations, on forty-two. Beverly Marsh-so she had been then-was an assistant designer at Delia Fashions, on twelve. Delia, which would later enjoy a modest vogue in the Midwest, catered to young people-Delia skirts and blouses and shawls and slacks were sold largely to what Delia Castleman called "youth-stores" and what Tom called "headshops." Tom Rogan knew two things about Beverly Marsh almost at once: she was desirable and she was vulnerable. In less than a month he knew a third as well: she was talented. Very talented. In her drawings of casual dresses and blouses he saw a money-machine of almost scary potential.

Not in the head-shops, though, he thought, but did not say (at least not then). No more bad lighting, no more knock-down prices, no more shitty displays somewhere in the back of the store between the dope paraphernalia and the rock-group tee-shins. Leave that shit for the small-timers.

He had known a great deal about her before she knew he had any real interest in her, and that was just the way Tom wanted it. He had been looking for someone like Beverly Marsh all his life, and he moved in with the speed of a lion making a run at a slow antelope. Not that her vulnerability showed on the surface-you looked and saw a gorgeous woman, slim but abundantly stacked. Hips weren't so great, maybe, but she had a great ass and the best set of tits he had ever seen. Tom Rogan was a tit-man, always had been, and tall girls almost always had disappointing tits. They wore thin shirts and their nipples drove you crazy, but when you got those thin shirts off you discovered that nipples were really all they had. The tits themselves looked like the pull-knobs on a bureau drawer. "More than a handful's wasted," his college roommate had been fond of saying, but as far as Tom was concerned his college roommate had been so full of shit he squeaked going into a turn.

Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak... weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things-how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them.

Lions may not think, at least not the way people think... but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower... or maybe because its sense of danger is less developed. And it might even be possible that some antelopes-and some women-want to be brought down.

Suddenly he heard a sound that jerked him rudely out of these memories-the snap of her cigarette lighter.

The dull rage came again. His stomach filled with a heat which was not entirely unpleasant. Smoking. She was smoking. They had had a few of Tom Rogan's Special Seminars on the subject. And here she was, doing it again. She was a slow learner, all right, but a good teacher is at his best with slow learners.

"Yes," she said now. "Uh-huh. All right. Yes... " She listened, then uttered a strange, jagged laugh he had never heard before. "Two things, since you ask-reserve me a room and say me a prayer. Yes, okay... uh-huh... me too. Goodnight."

She was hanging up as he came in. He meant to come in hard, yelling at her to put it out, put it out now, RIGHT NOW!, but when he saw her the words died in his throat. He had seen her like this before, but only two or three times. Once before their first big show, once before the first private preview showing for national buyers, and once when they had gone to New York for the International Design Awards.

She was moving across the bedroom in long strides, the white lace nightgown molded to her body, the cigarette clamped between her front teeth (God he hated the way she looked with a butt in her mouth) sending back a little white riband over her left shoulder like smoke from a locomotive's stack.

But it was her face that really gave him pause, that caused the planned shout to die in his throat. His heart lurched-ka-BAMP!-and he winced, telling himself that what he felt was not fear but only surprise at finding her this way.

She was a woman who really came alive all the way only when the rhythm of her work spiked toward a climax. Each of those remembered occasions had of course been career-related. At those tunes he had seen a different woman from the one he knew so well-a woman who fucked up his sensitive fear-radar with wild bursts of static. The woman who came out in times of stress was strong but high-strung, fearless but unpredictable.

There was lots of color in her cheeks now, a natural blush high on her cheekbones. Her eyes were wide and sparkly, not a trace of sleep left in them. Her hair flowed and streamed. And... oh, looky here, friends and neighbors! Oh you just looky right here! Is she taking a suitcase out of the closet? A suitcase? By God, she is!

Reserve me a room... say me a prayer.

Well, she wasn't going to need a room in any hotel, not in the foreseeable future, because little Beverly Rogan was going to be staying right here at home, thank you very much, and taking her meals standing up for the next three or four days.

But she very well might need a prayer or two before he was through with her.

She tossed the suitcase on the foot of the bed and then went to her bureau. She opened the top drawer and pulled out two pairs of jeans and a pair of cords. Tossed them into the suitcase. Back to the bureau, cigarette streaming smoke over her shoulder. She grabbed a sweater, a couple of tee-shirts, one of the old Ship "n Shore blouses that she looked so stupid in but refused to give up. Whoever had called her sure hadn't been a jet-setter. This was dull stuff, strictly Jackie-Kennedy-Hyannisport-weekend stuff.

Not that he cared about who had called her or where she thought she was going, since she wasn't going anywhere. Those were not the things which pecked steadily at his mind, dull and achy from too much beer and not enough sleep.

It was that cigarette.

Supposedly she had thrown them all out. But she had held out on him-the proof was clamped between her teeth right now. And because she still had not noticed him standing in the doorway, he allowed himself the pleasure of remembering the two nights which had assured him of his complete control over her.

I don't want you to smoke around me anymore, he told her as they headed home from a party in Lake Forest. October, that had been. I have to choke that shit down at parties and at the office, but I don't have to choke it down when I'm with you. You know what it's like? I'm going to tell you the truth-it's unpleasant but it's the truth. Ifs like having to eat someone else's snot.