The New Girl Page 21

Mikhail was drinking coffee in the Starbucks across the street from the bank when Villard finally emerged. The Frenchman checked the time on his wristwatch—it was half past four exactly—and struck out along the rue du Rhône. He followed it to the river and then wound his way through the narrow, quiet streets of the Old Town to the Place de la Synagogue, where Gabriel was sitting behind the wheel of the Passat.

Café Remor was a hundred meters farther along the boulevard Georges-Favon. There were several unoccupied tables on the Place du Cirque, and several more beneath the shelter of the awning. Villard sat down outside along the square. Mikhail joined Sarah under the awning. A gas heater burned the evening chill from the air.

Sarah raised a glass of red wine to her lips. “How did I do?”

“Not bad,” said Mikhail. “Not bad at all.”

 

For ten minutes no one appeared. Villard smoked two cigarettes, lighting the second with the first, and cast several glances toward his mobile phone, which was lying on the tabletop. Finally, at five fifteen, he signaled a passing waiter and ordered. A single bottle of Kronenbourg arrived a moment later.

“Looks like she stood him up,” said Mikhail. “If I were him, I’d call Monique before it’s too late.”

But Sarah wasn’t listening; she was watching a man walking toward the café along the boulevard. In dress and aspect, he looked to be a Swiss banker or businessman, late forties or early fifties, on his way home after a prosperous day at the office. His costly overcoat was tan, and the leather attaché case he carried in his left hand was the color of oxblood. He placed it on the pavement next to Lucien Villard before sitting down at an adjacent table.

Quietly, Mikhail asked, “Think it’s a coincidence he chose to sit next to our boy when there are several other tables available?”

“No,” answered Sarah. “It isn’t.”

“His face looks familiar.”

“It should.”

“Where have I seen it before?”

“At Brasserie Saint-Maurice in Annecy.”

Mikhail stared at Sarah, perplexed.

“It’s the face you ran through the databases at King Saul Boulevard last night.”

Mikhail drew his BlackBerry and dialed. “You’ll never guess who just walked into Café Remor.”

“I know,” said Gabriel. “I’m right across the street.”

19

Geneva


The space where Gabriel was parked in the Place du Cirque was by no means legal. Neither was the 9mm Beretta pistol with a walnut grip that lay on the passenger seat beneath a copy of that morning’s Le Temps. Gabriel had placed the gun there after spotting the man in the tan overcoat walking along the boulevard. His dress was more businesslike, his hair was arranged in a different manner, he was wearing dark-rimmed eyeglasses. Nevertheless, there was no mistaking him for anyone else. Having spent a lifetime repairing Old Master canvases, Gabriel had developed a near-perfect ability to spot familiar faces, even faces that had been heavily disguised. The man now seated next to Lucien Villard had been at Brasserie Saint-Maurice in Annecy the day of Princess Reema’s abduction.

Gabriel considered attempting to take the man into custody but rejected the idea at once. The man was a professional and no doubt heavily armed. His surrender would not be amicable. It was likely bullets would fly in a busy square in the heart of Geneva.

It was a risk Gabriel was not prepared to take. The code of the Office forbade the use of deadly force in crowded urban settings unless the officer in question was in danger of losing his life or his liberty, especially to a hostile power. Such was not the case now. Gabriel and Mikhail could follow the man after he left Café Remor and take him into their possession at a time and place of their choosing. They would then encourage the man to reveal Princess Reema’s whereabouts, either through persuasion or force. Or perhaps, if fortune was in their favor, he might lead them directly to the princess. Better to wait, Gabriel reckoned, than to act rashly and risk losing the opportunity to save the child’s life.

From his vantage point, he could see the man in the tan overcoat had yet to order. His pose was identical to the one he had adopted at Brasserie Saint-Maurice—legs casually crossed, right elbow on the table, left hand resting on his thigh, within easy reach of his gun. The attaché case he had carried into the café was standing upright on the pavement between his table and Villard’s. It was an odd place to leave it. Unless, thought Gabriel, he had no intention of taking it with him when he departed.

But why was the man in the tan overcoat sitting in a café next to the former director of security at the International School of Geneva? Villard’s compromised phone lay on the tabletop before him. Unit 8200 had routed the feed securely to Gabriel’s BlackBerry. The audio quality was crystalline—Gabriel could hear the clinking of cutlery and glass in the café and the chatter of pedestrians as they passed along the pavement—but there was a transmission delay of several seconds. It was like watching an old movie where sound and picture were not in sync. The two central characters in this film had yet to speak. It was possible, thought Gabriel, they never would.

Just then, there was a knock at his window, two firm raps of a policeman’s knuckle, followed by a curt wave of a gloved hand. Gabriel raised his own hand in a gesture of apology and eased away from the curb, into the swiftly flowing evening traffic. He made a series of rapid turns—right into the avenue du Mail, left on the rue Harry-Marc, left again on the boulevard Georges-Favon—and returned to the Place du Cirque.

A red traffic light gave him an excuse to loiter. Several pedestrians flowed through the crosswalk directly in front of him. One was a prosperous-looking man in a tan overcoat. A few paces behind him was Mikhail Abramov. Sarah was still at Café Remor. Her eyes were fixed on Lucien Villard, who was reaching toward the briefcase standing upright on the pavement.

 

He noticed him for the first time, the long-limbed man with pale skin and colorless eyes, sitting next to the attractive blonde at Café Remor. And now here he was again, the same man, following him through the darkness along the rue de la Corraterie. A car was following him, too—the same car that had been parked illegally in the Place du Cirque. He had seen nothing of the driver other than a smudge of gray at the temples.

But how had they found him? He was confident he had not been followed to Café Remor. Therefore, the logical explanation was that it was Villard, not him, who was under surveillance. It was no matter; Villard knew next to nothing. And in a very few minutes, he would no longer be a threat.

He removed his phone from his coat pocket and dialed a preloaded number. The conversation was brief, coded. When it was over he killed the connection and paused in a shop window. Glancing to his left, he saw the man with pale skin—and farther along the street, the car.

He waited for a tram to pass, crossed to the opposite side of the street, and went into a small movie house. The feature had just begun. He purchased a ticket and entered the darkened, half-empty theater. On the left side of the screen was the emergency exit. The alarm chirped loudly as he leaned on the panic latch and went once more into the night.

He found himself in a courtyard surrounded by a high wall. He scaled it effortlessly, dropped onto a cobbled street, and followed it through a passageway into the Old Town. A Piaggio motor scooter was parked outside an antiquarian bookshop, a leathered, helmeted figure perched atop the saddle. He climbed onto the back and wrapped his arms around a slender waist.