Spell 1029, the first spell of the Book of Two Ways, describes the rising sun: Trembling befalls the eastern horizon of the sky at the voice of Nut. For Re does she clear the ways before the Great One, Osiris, when Re perambulates the Netherworld. Raise yourself, O Re!

I close my eyes, seeing in quick succession a series of memories: Harbi peeling an orange in the front yard; my own hands and nails, brown with dust; the unlikely relief of hot tea on a blistering day. The ache in my arches after a day on my feet. The tail of a white scarf floating behind me on a bicycle. I am riding the handlebars, Wyatt is pedaling.

Nut is the sky goddess, the mother of Osiris. The Underworld is also in her body; the coffin can be Nut, and thus the mummy in her womb becomes Osiris.

I remember the way the moon sat on the sill of my window, watching me sleep. The scrape of sand underneath my bare thighs. The purr of my bedroom fan, wheezing to life after a power outage. The sound of his breathing.

The term raise yourself signifies specifically what a mummy does—as in awaken—so here Re is a mummy; here Re is the deceased in the coffin.

When we were here during the season, there was always so much dust and sand that every night, I would rinse my eyes out with a saline wash, and blink to find the world new again. That’s what it feels like now, to read the explanation of the theories I never got to prove.

“My God.”

I look up, straining in the near dark to see. Wyatt looks just like I remember. Older, but only in breadth of his shoulders, the lines that fan from the edges of his eyes. All the remaining light in the room is drawn to his hair, still gilded, a crown for a prince.

“I didn’t believe it when Harbi told me,” he says.

I get to my feet, still holding his dissertation. Between us, I feel a shifting wall, as if we are magnets with like poles that keep us at a fixed distance. And I also feel what it could be like if one of those poles flipped.

Wyatt isn’t smiling, and neither am I. I lift my chin. “You once told me you’d do anything for me,” I say.

“Dawn—”

“I want to work here,” I interrupt. “I want to finish what I started.”

    Life asked death, “Why do people love me but hate you?”

Death responded, “Because you are a beautiful lie and I am a painful truth.”

—Unknown

WHEN I GET home, Brian is waiting. He stares at me as if I am a hallucination, and then he approaches me cautiously—the way you would move toward a feral animal or someone whose world has gone to pieces around her. He folds me tightly into his arms. “Jesus Christ, Dawn,” he says, his voice shaking. “I thought you were gone for good.”

Slowly, my arms come up to embrace him. My eyes drift closed. I actively shove away the memories that rise, and force myself to only see forward.

What if it’s that easy to start fresh? I remember how, when Meret was little, she had a toy that was an enclosed tablet of tiny metal filings that could be moved with a magnetic pencil. After drawing whatever it was she wanted to draw, she could pull a lever and all the filings fell to the bottom of the tablet, making a blank slate. But after a few months of use, there were hazy black shadows of former pictures she’d drawn caught in the very fibers of the toy. Even as she created pictures over them, I could see the ghosts of her imagination.

“Dawn,” Brian says. An apology, a beginning.

“I don’t want to talk about it.” It’s too raw. Maybe one day, but this is not that day.

He nods, slipping his hands into his pockets. It’s something he does when he is nervous. “Are you…all right?”

“I’m here, aren’t I?” I try to say this lightly, but the reply sinks like fog, making it harder to see.

“This is my fault.”

I don’t correct him. If it wasn’t for what he did, or didn’t do, I would never have left in the first place.

“Is Meret—”

“She’s in her room.” I head to the staircase, but Brian’s voice tugs at me. “She doesn’t know. I didn’t want to scare her.”

I pivot. This, I suppose, was either meant to protect Meret, or meant to protect Brian. No matter what, it’s an unexpected gift right now.

Meret’s bedroom always surprises me. Although it has been years since we decorated it for a baby girl, I still expect to see it in pinks and yellows, with a wallpaper border of dancing hippos. Sometimes when I am sorting through the laundry now and see her brightly colored bras, I am startled by them, because just yesterday I was folding onesies printed with ladybugs, cotton dresses with tutus built in.

Although she’s a teenager now, her walls aren’t covered with Sia or 21 Savage. She has a vintage Adolphe Millot insect graphic and overblown photos of microscopic onion epidermal cells and elodea root. Meret has wanted to be a scientist like her father since he helped her make her first baking soda volcano in the kitchen sink at age four.

The lights are on in her room, and she is asleep on top of the covers. A book—Lab Girl—is on the floor, where it’s tumbled out of her hands. I set it on the nightstand and go to turn off the lamp, but she stirs, blinking up at me. “You’re back,” she whispers. I wonder what Brian did tell her. If she heard us arguing, before I left.

I pull back the covers so she can crawl into bed. Her pajama top rides up, exposing a plump roll at the waistband of the bottoms. I bite my lip—she hates how she looks, which is a function not just of being fourteen but also of being the daughter of two parents who are thin. I spy something purple balled up in the trash can—it’s the shirt that I bought her for her birthday. When she unwrapped it, Meret had plastered a smile on her face, but I saw her finger the label, Junior XXL. Mom, she had said, I’m not that huge. I felt terrible. But wouldn’t it have been worse if I’d gotten her a size down, and it was too small?

At least I remembered her birthday, I think.

“Stay with me till I fall asleep?” Meret asks.

In another universe, I wouldn’t be able to say yes.

I stroke her hair and take this as a boon—the mood swing that puts me in her favor again; the fact that I’ve been forgiven for my birthday gift; the mixture of grief and relief in Brian’s eyes for something that nearly happened but didn’t.

I think about the fact that even though I walked out of this house, I’ve somehow wound up right back where I started.

* * *

—

WHEN I WAS little, I used to read the obituaries, and one day I asked my mother why people die in alphabetical order. My mother didn’t answer. She spit on the floor, because to talk about death was to invite it into the household. She was Irish and superstitious—a double dose of stubbornness—she put safety pins in my clothing to ward off the evil eye, she taught us never to whistle indoors and if we left the house and had to come back in, we were to look in a mirror or our luck would turn. I never heard my mother talk about death, in fact, which is why it’s so ironic that she is the reason I am a death doula.

I was a graduate student on my third dig season in Egypt when I found out she was dying. She had Stage 4 ovarian cancer that she had chosen to hide from me and my brother. Kieran had only been thirteen, and she hadn’t wanted to worry him. I was pursuing my passion, and she hadn’t wanted to interrupt that. My father, a U.S. Army captain, had died in a helicopter crash when my mother was pregnant with Kieran, which meant that I suddenly had to take charge. I was furious that my mother hadn’t told me she was sick. I sat by her side in the residential hospice, leaving only to be home in time for Kieran when he returned from school. I watched her fade into the sheets, more a memory than a mother. Then one day near the end, my mother squeezed my hand. “Your father died alone,” she said. “I always wondered if he was scared. If there was something he wanted to say.” Are you scared? I wanted to ask. Is there something you want to say? But before I could, my mother smiled. “At least I have you,” she had said.

I thought about my father, halfway around the world by himself when he took his last breath. I thought of my mother, hiding an illness that had eaten away at her until she was only a shell of the woman I remembered. Death is scary and confusing and painful, and facing it alone shouldn’t be the norm.