They halted for a moment, startled, the mob face shivering into individual, bewildered faces. A man ran in a large, screaming circle. A woman with blisters on her hands turned her head up and cackled feverishly at the sky. The man whom he had first seen sitting gravely on the steps of the mercantile store made a sudden and amazing load in his pants.

He had time to reload one gun.

Then it was Sylvia Pittston, running at him, waving a wooden cross in each hand. "DEVIL! DEVIL! DEVIL! CHILD-KILLER! MONSTER! DESTROY HIM, BROTHERS AND SISTERS! DESTROY THE CHILD�C KILLING INTERLOPER!"

He put a shot into each of the crosspieces, blowing the roods to splinters, and four more into the woman's head. She seemed to accordian into herself and waver like a shimmer of heat.

They all stared at her for a moment in tableau, while the gunslinger's fingers did their reloading trick. The tips of his fingers sizzled and burned. Neat circles were branded into the tips of each one.

There were less of them, now; he had run through them like a mower's scythe. He thought they would break with the woman dead, but someone threw a knife. The hilt struck him squarely between the eyes and knocked him over. They ran at him in a reaching, vicious clot. He fired his guns empty again, lying in his own spent shells. His head hurt and he saw large brown circles in front of his 'eyes. He missed one shot, downed eleven.

But they were on him, the ones that were left He fired the four shells he had reloaded, and then they were beating him, stabbing him. He threw a pair of them off his left arm and rolled away. His hands began doing their infallible trick. He was stabbed in the shoulder. He was stabbed in the back. He was hit across the ribs. He was stabbed in the ass. A small boy squirmed at him and made the only deep cut, across the bulge of his calf. The gunslinger blew his head off.

They were scattering and he let them have it again. The ones left began to retreat toward the sand - colored, pitted buildings, and still the hands did their trick, like over�C eager dogs that want to do their rolling - over trick for you not once or twice but all night, and the hands were cutting them down as they ran. The last one made it as far as the steps of the barber shop's back porch, and then the gunslinger's bullet took him in the back of the head.

Silence came back in, filling jagged spaces.

The gunslinger was bleeding from perhaps twenty different wounds, all of them shallow except for the cut across his calf. He bound it with a strip of shirt and then straightened and examined his kill.

They trailed in a twisted, zigzagging path from the back door of the barber shop to where he stood. They lay in all positions. None of them seemed to be sleeping.

He followed them back, counting as he went. In the general store one man lay with his arms wrapped lovingly around the cracked candy jar he had dragged down with him.

He ended up where he had started, in the middle of the deserted main street He had shot and killed thirty - nine men, fourteen women, and five children. He had shot and killed everyone in Tull.

A sickish - sweet odor came to him on the first of the dry, stirring wind. He followed it, then looked up and nodded. The decaying body of Nort was spread-eagled atop the plank roof of Sheb's, crucified with wooden pegs. Mouth and eyes were open. A large and purple cloven hoof had been pressed into the skin of his grimy forehead.

He walked out of town. His mule was standing in a

clump of weed about forty yards out along the remnant of the coach road. The gunslinger led it back to Kennerly's . stable. Outside, the wind was playing a ragtime tune. He put the mule up and went back to Sheb's. He found a ladder in the back shed, went up to the roof, and cut Nort down. The body was lighter than a bag of sticks. He tumbled it down to join the common people. Then he went back inside, ate hamburgers and drank three beers while the light failed and the sand began to fly. That night he slept in the bed where he and Allie had lain. He had no dreams. The next morning the wind was gone and the sun was its usual bright and forgetful self. The bodies had gone south like tumble�C weeds with the wind. At midmorning, after he had bound all his cuts, he moved on as well.

XVIII

He thought Brown had fallen asleep. The fire was down to a spark and the bird, Zoltan, had put his head under his wing.

Just as he was about to get up and spread a pallet in the corner, Brown said, "There. You've told it. Do you feel better?"

The gunslinger started. "Why would I feel bad?"

"You're human, you said. No demon. Or did you lie?"

"I didn't lie." He felt the grudging admittance in him:

he liked Brown. Honestly did. And he hadn't lied to the dweller in any way. "Who are you, Brown? Really, I mean. "

"Just me," he said, unperturbed. "Why do you have to think you're such a mystery?"

The gunslinger lit a smoke without replying.

"I think you're very close to your man in black," Brown said. "Is he desperate?"

"I don't know. "

"Are you?"

"Not yet," the gunslinger said. He looked at Brown with a shade of defiance. "I do what I have to do."

"That's good then," Brown said and turned over and went to sleep.

XIX

In the morning Brown fed him and sent him on his way. In the daylight he was an amazing figure with his scrawny, burnt chest, pencil-like collarbones and ring leted shock of red hair. The bird perched on his shoulder.

"The mule?" The gunslinger asked.

"I'll eat it," Brown said.

"Okay."

Brown offered his hand and the gunslinger shook it. The dweller nodded to the south. "Walk easy. "

"You know it."

They nodded at each other and then the gunslinger walked away, his body festooned with guns and water. He looked back once. Brown was rooting furiously at his little combed. The crow was perched on the low roof of his dwelling like a gargoyle.

XX

The fire was down, and the stars had begun to pale off. The wind walked restlessly. The gunslinger twitched in his sleep and was still again. He dreamed a thirsty dream. In the darkness the shape of the mountains was invisible. The thoughts of guilt had faded. The desert had baked them out. He found himself thinking more and more about Cort, who had taught him to shoot, instead. Cort had known black from white.

He stirred again and awoke. He blinked at the dead fire with its own shape superimposed over the other, more

geometrical one. He was a romantic, he knew it, and he guarded the knowledge jealously.

That, of course, made him think of Cort again. He didn't know where Cort was. The world had moved on.

The gunslinger shouldered his tote sack and moved on with it.

The Way Station

A nursery rhyme had been playing itself through his mind all day, the maddening kind of thing that will not let go, that stands mockingly outside the apse of the conscious mind and makes faces at the rational being inside. The rhyme was:

The rain in Spain falls mainly on the plain.

There is joy and also pain

but the rain in Spain falls mainly on the plain.

Pretty-plain, loony-sane

The ways of the world all will change and all the ways remain the same

but if you're mad or only sane

the rain in Spain falls mainly on the plain.

We walk in love but fly in chains

And the planes in Spain fall mainly in the rain.

He knew why the rhyme had occurred to him. There had been the recurring dream of his room in the castle and of his father, who had sung it to him as he lay solemnly in the tiny bed by the window of many colors. She did not sing it at bedtimes because all small boys born to the High Speech must face the dark alone, but she sang to him at nap-times and he could remember the heavy gray rain light that shivered into colors on the counterpane; he could feel the coolness of the room and the heavy warmth of blankets, love for his mother and her red lips, the haunting melody of the little nonsense lyric, and her voice.

Now it came back maddeningly, like prickly heat, chasing its own tail in his mind as he walked. All his water was gone, and he knew he was very likely a dead man. He had never expected it to come to this, and he was sorry. Since noon he had been watching his feet rather than watching the way ahead. Out here even the devil-grass had grown stunted and yellow. The hardpan had disintegrated in places to mere rubble. The mountains were not noticeably clearer, although sixteen days had passed since he had left the hut of the last homesteader, a loony-sane young man on the edge of the desert He had had a raven, the gunslinger remembered, but he couldn't remember the raven's name.

He watched his feet move up and down, listened to the nonsense rhyme sing itself into a pitiful garble in his mind, and wondered when he would fall down for the first time. He didn't want to fall, even though there was no one to see him. It was a matter of pride. A gunslinger knows pride  - that invisible bone that keeps the neck stiff.

He stopped and looked up suddenly. It made his head buzz and for a moment his whole body seemed to float The mountains dreamed against the far horizon. But there was something else up ahead, something much closer. Perhaps only five miles away. He squinted at it, but his eyes were sandblasted and going glare blind. He shook his head and began to walk again. The rhyme circled and buzzed. About an hour later he fell down and skinned his hands. He looked at the tiny beads of blood on his flaked skin with unbelief. The blood looked no thinner; it looked mutely viable. It seemed almost as smug as the desert He dashed the drops away, haling them blindly. Smug? Why not? The blood was not thirsty. The blood was being served. The blood was being made sacrifice unto. Blood sacrifice. All the blood needed to do was run... and run.., and run.

He looked at the splotches that had landed on the hard-pan and watched as they were sucked up with uncanny suddenness. How do you like that, blood? How does that grab you?

0 Jesus, you're far gone.

He got up, holding his hands to his chest and the thing he had seen earlier was almost in front of him, startling a cry out of him �C a dust-choked crow-croak. It was a building. No; two buildings, surrounded by a fallen rail fence. The wood seemed old, fragile to the point of elvishness; it was wood being transmogrified into sand. One of the buildings had been a stable �C the shape was clear and unmistakable. The other was a house, or an inn. A way station for the coach line. The tottering sand-house (the wind had crusted the wood with grit until it looked like a sand castle that the sun had beat upon at low tide and hardened to a temporary abode) cast a thin line of shadow, and someone sat in the shadow, leaning against the building. And the building seemed to lean with the burden of his weight

Him, then. At last The man in black.

The gunslinger stood with his hands to his chest, unaware of his declamatory posture, and gawped. And instead of the tremendous winging excitement he had expected (or perhaps fear, or awe), there was nothing but the dim, atavistic guilt for the sudden, raging hate of his own blood moments earlier and the endless ring-a-rosy of the childhood song:

... the rain in Spain...

He moved forward, drawing one gun.

... falls mainly on the plain.

He came the last quarter mile at the run, not trying to

hide himself; there was nothing to hide behind. His short shadow raced him. He was not aware that his face had become a gray and grinning death mask of exhaustion; he was aware of nothing but the figure in the shadow. It did not occur to him until later that the figure might even have been dead.

He kicked through one of the leaning fence rails (it broke in two without a sound, almost apologetically) and lunged across the dazzled and silent stable yard, bringing the gun up.

"You're covered! You're covered! You're  - "

The figure moved restlessly and stood up. The gunslinger thought: My God, he is worn away to nothing, what's happened to him? Because the man in black had shrunk two full feet and his hair had gone white.

He paused, struck dumb, his head buzzing tunelessly. His heart was racing at a lunatic rate and he thought, I'm dying right here  - He sucked the white-hot air into his lungs and hung his head for a moment When he raised it again, he saw it wasn't the man in black but a small boy with sun-bleached hair, regarding him with eyes that did not even seem interested. The gunslinger stared at him blankly and then shook his head in negation. But the boy survived his refusal to believe; he was still there, wearing blue jeans with a patch on one knee and a plain brown shirt of rough weave.

The gunslinger shook his head again and started for the stable with his head lowered, gun still in hand. He couldn't think yet His head was filled with motes and there was a huge, thrumming ache building in it

The inside of the stable was silent and dark and exploding with heat The gunslinger stared around himself with huge, floating walleyes. He made a drunken about-face and saw the boy standing in the ruined doorway, staring at him. A huge lancet of pain slipped dreamily into his head, cutting from temple to temple, dividing his brain like an orange. He reholstered his gun, swayed, put out his hands as if to ward off phantoms, and fell over on his face.