Bang. Bang.

How many times does a mother make her child giggle? How many times does the child make her laugh out loud? Kids turn us inside out the first time we realize that they’re doing it intentionally, when we discover that they have a sense of humor. When they make jokes, learn to manipulate our feelings. If they love us, they learn to lie shortly after that, to spare our feelings, pretending to be happy. They’re quick to learn what we like. We might tell ourselves that we know them, but they have their own photograph albums, and they grow up in the gaps.

How many times has the mother stood beside the car outside the house, checked the time, and impatiently called her son’s name? She doesn’t have to do that today. He’s been sitting silently in the passenger seat for several hours while she packed his things. His once well-toned body is thin after weeks in which she’s struggled to get food into him. His eyes stare blankly through the windshield.

How much can a mother forgive her son for? How can she possibly know that in advance? No parent imagines that her little boy is going to grow up and commit a crime. She doesn’t know what nightmares he dreams now, but he shouts when he wakes up from them. Ever since that morning she found him on the running track, motionless with cold, stiff with fear. He had wet himself, and his desperate tears had frozen on his cheeks.

He raped a girl, and no one could ever prove it. There will always be people who say that means he got away with it, that his family escaped punishment. They’re right, of course. But it will never feel like that for his mother.

Bang. Bang. Bang.

When the car begins to move along the road, Maya stands on the hill and knows that Kevin will never come back here. That she has broken him. There will always be people who say that means she won.

But it will never feel like that to her.

Bang. Bang. Bang. Bang.

The brake lights go on for a moment; the mother casts one last glance in the rearview mirror, at the house that was a home and the gluey scraps on the mailbox where the name “Erdahl” has been torn off, letter by letter. Kevin’s father is packing the other car alone. He stood beside the mother on the track, saw their son lying there with tears on his sweater and urine on his trousers. Their lives had shattered long before then, but that was when she first saw the shards. The father refused to help her as she half carried, half dragged the boy through the snow. That was two months ago. Kevin hasn’t left the house since then, and his parents have barely said a word to each other. Men define themselves in more distinctive ways than women, life has taught her that, and her husband and son have always defined themselves with one single word: winners. As long as she can remember, the father has drummed the same message into the boy: “There are three types of people: winners, losers, and the ones who watch.”

And now? If they’re not winners, what are they? The mother takes her foot off the brake, switches the radio off, drives down the road, and turns the corner. Her son sits beside her. The father gets into the other car, drives alone in the opposite direction. The divorce papers are in the mail, along with the letter to the school saying that the father has moved to another town and the mother and son have gone abroad. The mother’s phone number is at the bottom in case anyone at the school has any questions, but no one’s going to call. This town is going do everything it can to forget that the Erdahl family was ever a part of it.

After four hours of silence in the car, when they’re so far from Beartown that they can’t see any forest, Kevin whispers to his mother, “Do you think it’s possible to become a different person?”

She shakes her head, biting her bottom lip, and blinks so hard she can’t see the road in front of her. “No. But it’s possible to become a better person.” Then he holds out a trembling hand. She holds it as if he were three years old, as if he were dangling over the edge of a cliff. She whispers, “I can’t forgive you, Kevin. But I’ll never abandon you.”

Bangbang-bangbang-bang.

That’s the sound of this town, everywhere. Perhaps you understand that only if you live here.

Bangbangbang.

On the hilltop stand two girls, watching the car disappear. They’ll soon be sixteen. One of them is holding a guitar, the other a rifle.

3

Like a Man

The worst thing we know about other people is that we’re dependent upon them. That their actions affect our lives. Not just the people we choose, the people we like, but all the rest of them: the idiots. You who stand in front of us in every line, who can’t drive properly, who like bad television shows and talk too loud in restaurants and whose kids infect our kids with the winter vomiting bug at preschool. You who park badly and steal our jobs and vote for the wrong party. You also influence our lives, every second.

* * *

Dear God, how we hate you for that.

* * *

In the Bearskin pub a number of silent old men are sitting in a row. They’re said to be in their seventies but could easily be double that. There are five of them, but they have at least eight opinions, and they’re known as the “five uncles” because they always stand by the boards and lie and argue at all the practices at Beartown Ice Hockey Club. Afterward they go to the Bearskin and lie and argue there instead, and occasionally they amuse themselves by trying to trick the others into thinking that senile dementia has crept up on them: they sometimes change one another’s house numbers at night and hide their keys when they’ve had a few drinks. One time four of them towed the fifth one’s car out of his driveway and replaced it with an identical rental, just so he would end up terrified that it was finally time to go into a home when he couldn’t get the car started the next morning. When they go to games they pay with Monopoly money, and for almost an entire season they all pretended to believe that they were at the 1980 Winter Olympics. Every time they caught sight of Peter Andersson, the general manager of Beartown Ice Hockey, they spoke to him in German and called him “Hans Rampf.” It slowly drove the GM mad, and that made the five uncles happier than an overtime win. People in the town often say that it’s entirely possible that the uncles are in fact senile now, all five of them, but how the hell would anyone ever be able to prove it?

* * *

Ramona, the owner of the Bearskin pub, lines up five whiskies on the bar. There’s only one sort of whisky here, but several types of sorrow. The uncles have followed Beartown Ice Hockey all the way to the top and right down to the bottom of the league system. All their lives. This is going to be their worst day.

* * *

Kira Andersson is sitting in her car on her way to the office when her phone rings. She’s feeling stressed for a lot of different reasons. She drops the phone under her seat and swears with a level of anatomical precision that Kira’s husband usually points out would embarrass a gang of drunken sailors. When Kira finally gets hold of the phone it takes the woman at the other end a couple of seconds to recover from the range of expletives.

“Hello?” Kira snaps.

“Yes, sorry, I’m calling from S Express. You emailed to ask for a quote . . . ,” the woman says tentatively.

“From . . . who did you say you were? S Express? No, you must have the wrong number,” Kira says.

“Are you sure? I’ve got the paperwork in front of me here and—” the woman says, but then Kira drops her phone again and launches into a spontaneous description of exactly what sort of genitalia the designer of the phone’s head resembles, and by the time she manages to get hold of it again the woman at the other end has done herself a favor and hung up.

Kira doesn’t think much more about it. She’s expecting a call from her husband, Peter, who’s got a meeting with the regional council about the future of the hockey club today, and her anxiety about the consequences of the meeting is like a band around her stomach being pulled tighter and tighter. When she tosses the phone onto the passenger seat, the background picture of her daughter, Maya, and son, Leo, glows briefly before the screen goes dark.