A Darker Shade of Magic Page 12
He continued down the hall to his own rooms, where a dark set of oak doors led onto a sprawling chamber. The Isle’s red glow poured through the open doors of a private balcony, tapestry billowed and dipped in fabric clouds from the high ceiling, and a luxurious canopied bed, filled with feather and lined with silk, stood waiting. Beckoning. It took all of Kell’s will not to collapse into it. Instead, he crossed through the chamber and into a second smaller room lined with books—a variety of tomes on magic, including what little he could find on Antari and their blood commands, the majority destroyed out of fear in the Black London purge—and closed the door behind him. He snapped his fingers absently and a candle perching on the edge of a shelf sparked to life. In its light he could make out a series of marks on the back of the door. An inverted triangle, a set of lines, a circle—simple marks, easy enough to re-create, but specific enough to differentiate. Doors to different places in Red London. His eyes went to the one in the middle. It was made up of two crossed lines. X marks the spot, he thought to himself, pressing his fingers to the most recent cut on his arm—the blood still wet—then tracing the mark.
“As Tascen,” he said tiredly.
The wall gave way beneath his touch, and his private library became a cramped little room, the lush quiet of his royal chambers replaced by the din of the tavern below and the city beyond, much nearer than it had been a mere moment before.
Is Kir Ayes—the Ruby Fields—was the name that swung above the tavern’s door. The place was run by an old woman named Fauna; she had the body of a gran, the mouth of a sailor, and the temper of a drunk. Kell had cut a deal with her when he was young (she was still old then, always old), and the room at the top of the stairs became his.
The room itself was rough and worn and several strides too small, but it belonged entirely to him. Spellwork—and not strictly legal at that—marked the window and the door, so that no one else could find the room, or perceive that it was there. At first glance, the chamber looked fairly empty, but a closer inspection would reveal that the space under the cot and the drawers in the dresser were filled with boxes and in those boxes were treasures from every London.
Kell supposed that he was a Collector, too.
The only items on display were a book of poems, a glass ball filled with black sand, and a set of maps. The poems were by a man named Blake, and had been given to Kell by a Collector in Grey London the year before, the spine already worn to nothing. The glass ball was a trinket from White London, said to show one’s dreams in the sands, but Kell had yet to try it.
The maps were a reminder.
The three canvases were tacked side by side, the sole decoration on the walls. From a distance, they could have passed for the same map—the same outline of the same island country—but up close, only the word London could be found on all three. Grey London. Red London. White London. The map on the left was of Great Britain, from the English Channel up through the tips of Scotland, every facet rendered in detail. By contrast, the map on the right held almost none. Makt, the country called itself, the capital city held by the ruthless Dane twins, but the territory beyond was in constant flux. The map in the middle Kell knew best, for it was home. Arnes. The country’s name was written in elegant script down the length of the island, though in truth, the land on which London stood was only the tip of the royal empire.
Three very different Londons, in three very different countries, and Kell was one of the only living souls to have seen them all. The great irony, he supposed, was that he had never seen the worlds beyond the cities. Bound to the service of his king and crown, and constantly kept within reach, he had never been more than a day’s journey from one London or another.
Fatigue ate at Kell’s body as he stretched and shrugged off his coat. He dug through the pockets until he found the Collector’s parcel, which he set carefully on the bed, gingerly undoing the wrapping to reveal the tiny silver music box inside. The room’s lanterns grew brighter as he held up the trinket to the light, admiring it. The ache in his arm drew him back, and he set the music box aside and turned his attention to the dresser.
A basin of water and a set of jars waited there, and Kell rolled up the sleeve of his black tunic and set to work on his forearm. He moved with expert hands, and in minutes he’d rinsed the skin and applied a salve. There was a blood command for healing—As Hasari—but it wasn’t meant for Antari to use on themselves, especially not for minor wounds, as it took more energy than it afforded health. As it was, the cuts on his arm were already beginning to mend. Antari healed quickly, thanks to the amount of magic in their veins, and by morning the shallow marks would be gone, the skin smooth. He was about to pull down his sleeve when the small shiny scar captured his attention. It always did. Just below the crook of his elbow, the lines were so blurred that the symbol was almost unreadable.
Almost.
Kell had lived in the palace since he was five. He first noticed the mark when he was twelve. He had spent weeks searching for the rune in the palace libraries. Memory.
He ran his thumb over the scar. Contrary to its name, the symbol wasn’t meant to help one remember. It was meant to make one forget.
Forget a moment. A day. A life. But magic that bound a person’s body or mind was not only forbidden—it was a capital offense. Those accused and convicted were stripped of their power, a fate some found worse than death in a world ruled by magic. And yet, Kell bore the mark of such a spell. Worse, he suspected that the king and queen themselves had sanctioned it.