What Happens in Paradise Page 7

Maia’s relationship with Rosie had been less contentious than Rosie’s with LeeAnn, but that’s not to say it was all milk and cookies after school and snuggles and stories at bedtime. There was a ferocity that ran through the female line of that family—maybe LeeAnn, Rosie, and Maia were all too similar—and Ayers had seen Rosie and Maia butt heads again and again. When Ayers was called on to referee, she usually sided with Maia, causing Maia to utter the famous line that Ayers was like a mother to her but better, because she wasn’t her mother.

The third photograph is of Rosie and Ayers on Oppenheimer Beach, back when the tire swing still hung from the crooked palm that stretched out over the water. The tire swing was more fun to look at than actually ride on, as Ayers had learned the hard way, but this picture of the two of them in bikinis is the best picture of them ever taken. Ayers keeps the same photo on her phone as her screen saver, and she will never replace it.

She feels honored that she has earned a spot on Rosie’s bedroom wall. It seems to mean that Rosie considered her family.

Ayers can’t help but notice that there is no picture of Russell Steele on the wall.

If there are secrets to discover, Ayers predicts she’ll find them in the top drawer of the dresser. That’s where people put intimate things, right? Women their lingerie and men their condoms. Rosie’s top drawer holds the expected collection of bras and panties, some functional, some recreational, as well as teddies and slips, cotton socks, a box of tampons, two full carousels of birth control pills, and a plastic bag containing six tightly rolled joints, which Ayers slips right into her purse. Rosie would definitely want Ayers to take those so Maia doesn’t find them and get thoughts about experimenting.

The middle drawer is a jumble of bikinis, nearly all of which Ayers recognizes; at least half a dozen are white. The rest are black, red, blue gingham, kelly green with hot-pink piping. There’s a pink smocked top that Ayers loves, and then she remembers a supercool turquoise crocheted bikini that Rosie got from Letarte. Ayers digs for it, but it’s not there—maybe Rosie wore it to Anegada? A sobering thought. Then Ayers finds something intriguing. Beneath the bikinis is a layer of clothbound books. But they’re not books, Ayers realizes when she opens one and sees Rosie’s handwriting. They’re journals.

Ayers extracts the journals like she’s unearthing the bones of ancient peoples on an archaeological dig. She reads from the one on top.

January 1, 2000

It’s not only a new century but a new millennium. I, Rosalie Veronica Small, am seventeen years old, a senior at Charlotte Amalie High School. I’m in love with Oscar Cobb and nothing my mother or Huck can say will keep us from getting married on my eighteenth birthday.

 

Ayers shuts that journal and scrambles for one closer to the bottom of the pile, from 2015. Her breathing is shallow.

January 1, 2015

R. has stayed in Iowa through the holidays because his older son is visiting from Houston with his new baby. I wanted to text him a picture of me and Ayers doing tequila slammers up at the Banana Deck but of course the rule is “no texting.”

 

Ayers closes the journal, then her eyes. Tequila slammers at the Banana Deck, New Year’s Eve four years earlier. Yes; they had stopped there after the end of service at La Tapa but before they went to the Beach Bar to dance to Miss Fairchild. It had been a fun night, recklessly wild. They had closed the Beach Bar, gotten high, skinny-dipped in Frank Bay, then crashed a party all the way out on Ironwood Road in Coral Bay and stayed up to watch the sun rise. Ayers knew then about the Invisible Man, but he was just some guy who showed up every now and then to wine and dine Rosie and give her lavish presents. If Ayers is remembering correctly, it was right after that New Year’s that Rosie got a new Jeep, a four-door Wrangler in stingray gray with all the bells and whistles.

Whose is that? Ayers had asked when Rosie pulled up in it.

Mine, Rosie said without another word of explanation. Ayers had known then that it was from the lover, the Invisible Man, and that was when Ayers started to wonder just how serious that relationship was.

Ayers turns around to make sure the bedroom door is closed. How is she going to smuggle the journals out of there? If there’s any question as to whether she’s the right person to read them first, she pushes it aside. God only knows what kind of details they contain; Ayers can’t risk letting Maia read them before she does. And Huck made his feelings clear.

Despite this, Ayers doesn’t want to tell Huck she’s found them.

Why?

Well, she’s not sure why. It’s just a gut instinct. What if curiosity or ego gets the best of Huck and he decides to read them himself?

Ayers can practically hear Rosie saying, Noooooooooo!

Ayers looks under the bed and on the floor of the closet for a duffel or a suitcase but finds nothing. Then she hears a car and peeks out the window to see Huck pulling out of the driveway. He must be on his way to get lunch from Candi’s—perfect. Ayers heads out to the kitchen and pulls a reusable shopping bag off the hook next to the sink. She loads the journals up and hurries them out to Edith, her truck. She throws a beach towel over them for good measure.

She goes back to Rosie’s room, replaces all the bikinis, and shuts the drawer. She sits on the floor. She’s short of breath. She has discovered all of Rosie’s secrets. They’re waiting like a time bomb in Ayers’s truck.

A few minutes later, Ayers hears the front door open and then Huck calling out, “Grub! Come and get it!”

Ayers is too keyed up to eat. She wants to get home and read the journals! She’s going to have to hide them somewhere Mick won’t find them or see her reading them.

Huck knocks on the bedroom door and swings it open just as Ayers pulls out the third dresser drawer, so they both see what’s inside at exactly the same time.

Ayers shrieks.

Huck says, “What the hell is that?”

It’s money. The bottom drawer is filled with money.

Cash

He’s having dinner with his mother at the Pullman Bar and Diner when she asks the question he’s been dreading.

“So what’s next for you? Back to the mountains?”

“Trying to get rid of me already?” he says.

“Not at all,” Irene says. “It’s just that I thought this”—she indicates the restaurant and their server, Ryan, whom she seems to be on pretty familiar terms with—“was the stuff of your nightmares. Stuck in Iowa City, eating the early-bird special with your mother.”

“It’s been only five days,” Cash says. “And Milly—”

“Milly is handled,” Irene says. “I don’t mean to make your grandmother sound like a loathsome errand. But I also want you to know that you don’t need to stay here on my account. Surely you have better things to do than listen to me describe my crazy dreams.”

His mother is right. Cash should load Winnie into his truck and return to Denver to clean up what’s left of his life there before he heads to Breckenridge for the remainder of the winter. But what had seemed so appealing before he got Irene’s phone call informing him his father was dead has lost its luster. He received no fewer than ten panicked voicemails from Dylan, the manager of Cash’s Belmar store, asking why there are chains on the door and why no one is answering the phone at the Cherry Creek store. (Cash finally responded: Business went under. I would offer you a reference but I know you’ve been skimming from the register. Sorry, bro, good luck out there.) Cash is two payments behind on his truck so he needs a job right away. But because it’s already January, all of the positions at the ski school have been filled. Cash called his buddy Jay, and he said Cash could sleep on his sofa for a week but that would be all his new girlfriend would tolerate and finding other housing at this point would be tricky, especially with a dog.