The bow was up, the arrow on its way and flying true, and Flowers tumbled back into the house, and then the shooter stood up, and Flowers shouted, “He shot me with an arrow . . .”

Trap.

* * *

—

Virgil heard somebody shout “Going now,” either Jenkins or Shrake, and the other one yelled, “Are you hurt?” Virgil wasn’t registering which one, and he pulled the arrow out of his armor, sat up, looked out into the dark, and shouted, “I’m okay, I’m good. I’m coming.”

He could see nothing at all, but he did hear car doors slamming and the thumping footfalls from somebody running, and then more, and then Shrake yelled, “There he goes, he’s running west toward Sherburne . . . Jenkins . . . he’s going across the fences in the backyards.”

“You guys . . . be careful . . . You can’t see him, you can’t hear him . . . Be careful . . .” Virgil yelled into the radio. He rolled to his feet and ran out the door and saw Jenkins running in front of the light coming from a neighbor’s window, and he ran that way, shouting, “Jenkins, I’m behind you. I’m back here, don’t shoot me.”

Jenkins shouted back, “Virgil, go out to Westfall. Shrake, get up on the corner of Sherburne, he has to cross the street. I’ll push him out of these yards . . . I’m gonna put some light on him.”

Jenkins, who was carrying a superbright tactical flashlight, turned it on and lit up the backyards, as Virgil jogged out to Westfall Road, crouched behind a tree, and turned on his own light. He could still see Jenkins, on his knees, gun up, playing his light over the area between the houses. A block away, Shrake was lighting up a cross street. Unless the shooter had been moving very fast, he should be boxed in in the backyards.

More lights began coming on in the neighborhood as they called back and forth. Jenkins shouted, “Moving up one. This yard is clear.”

* * *

—

Jenkins was moving slowly back and forth across the wide backyards; the side yards, between houses, were mostly clear of bushes and didn’t have good hiding places. The backyards, though, were a tangle of fences, grape arbors, decorative grasses, and last year’s gardens, with their foot-high, now dead plants. The shooter, he thought, was wearing camo, and in the harsh shadows thrown by Jenkins’s flashlight, and with the snarl of folliage and fence, could be hiding almost anywhere.

If he wanted to shoot his bow, though, he’d have to come up at least to kneeling height, unless he were concealed behind a tree or hedge; and Jenkins’s light was designed to be blinding.

So Jenkins didn’t hurry; he sent the light into every nook and cranny, his pistol tracking with the light.

* * *

—

The shooter crossed a lot of fences and shrubs in a hurry, had to get south, to the Wilsons’ house. The Wilsons had a hedge that ran all the way out to the street. It would provide cover. And if the cops were out of sight for only ten seconds, then it would be possible to cross the street, and, once there, it should be possible to shake them free altogether.

The biggest threat would be if the neighborhood woke up, and it probably would, sooner or later. Once all the backyard lights and garage lights came on, getting lost would become impossible.

No time, no time, had to keep moving . . .

And a cop ran by in the street, carrying a flashlight that appeared to be as bright as any searchlight . . .

* * *

—

Shrake had run up to the first street corner and thought he’d gotten there in time to keep the shooter from crossing it. Not being absolutely certain of that, he lit up the spaces between the houses across the street as well.

A man called something to him, and he shouted back, “Police . . . Police . . . Go inside. Go inside, lock your doors.”

Virgil had gotten back on his radio, and said, “He could live in one of these houses, and he’s already inside.”

“That would cut down the possibilities,” Shrake said. “Basically, if he’s inside, we’ll get him.”

“Unless he’s inside somebody else’s house and he just killed them,” Virgil said.

Jenkins: “Virgil, keep moving up. I’m sweating like a motherfucker over here. We’ve got to be pushing him into a corner.”

“We need to get some deputies down here, wrap up the entire neighborhood, and wait until it gets light,” Shrake suggested.

“That’s seven hours away, but it’s not a bad idea,” Virgil said. “I’ll call Zimmer, get some guys started this way.”

Shrake said, “Jenkins, if he’s in there, he’s gotta move. You’re only a hundred feet out from me.”

Jenkins had come up to a white board fence separating the backyards of two houses. “I’m going to stop at this fence. If he’s not behind me, he’s got to be close, and I don’t think he got past me. Virgil, why don’t you walk up the street and shine your light between the houses up ahead of me. If that doesn’t flush him out, get between the houses and light up the two backyards ahead of me. Shrake, you stay where you are, watch both streets.”

“Got it,” Shrake said.

“Careful,” Virgil said. “He’s good with that bow—hit me right in the heart.”

* * *

—

The cop was standing in the street, thirty yards away. He looked huge, and fat—a bulletproof vest. The shooter was both frightened and angry. The broadheads could rip through a four-hundred-pound elk. They wouldn’t be slowed down by a man, but they wouldn’t make it through that vest.

Not unless the cop turned and opened up with a shot from the side. The cop was moving this way and that as he shined his light down two interesting streets, first this one, then the other. The shooter nocked another arrow.

* * *

—

Virgil moved up the street, shining his lights between the houses on his side. A woman came out, and called, “Who are you? What are you doing? I’ve called the sheriff . . .”

“Police. We’re looking for a man. Go inside and lock all your doors.”

She disappeared, and he moved on.

He was coming to the last pair of houses before he got to the next street, where Shrake was, and could see the beam from Shrake’s flashlight when its beam seemed to flip in the air, and Shrake screamed, “I’m hit . . . I’m hit.”

There was more, but Virgil didn’t hear the rest. He started running, and Jenkins shouted, “I’m coming.” Virgil ran between the last two houses into one of the backyards and saw Jenkins clearing the fence, and, at the same time, he saw a dark figure dart into the street on the opposite side, and somebody in another house yelled, “There he goes!”