Soldier of the Mist Page 2
Soon he cast Falcata at my feet. "I would mend you if I could," he said to me. "That lies beyond me, though steel and wood, fish, wheat, and barley all obey me." His voice was like the rushing of great waters. "My power is but this: that what is given to me I return manyfold. Thus I cast your sickle on my shore again, new-tempered in my flood. Not wood, nor bronze, nor iron shall stand against her, and she will not fail you until you fail her."
So saying, he and his daughters, if such they were, sank into the water again. I took up Falcata, thinking to dry her blade; but she was hot and dry. Then the black man returned with bread and meat, and many tales told with his fingers of how he had stolen them. We ate, and now he sleeps.
Chapter 2 At Hill
We have camped, and I have forgotten much of what happened since I saw the Swift God. Indeed, I have forgotten the seeing and know of it only because I have read it in this scroll in which I write.
Hill is very beautiful. There are buildings of marble, and a wonderful market. The people are frightened, however, and angry with the Great King because he is not here with more of his soldiers.
They fought for him, thinking he would surely best the armies of Thought and Rope - this though the people of those cities are sons of Hellen just as they themselves are. They say the people of Thought hate their very name and will sweep their streets with fire, even as the Great King swept the streets of Thought. They say (for I listened to them in the market) that they will throw themselves upon the mercy of the Rope Makers, but that the Rope Makers have no mercy. They wish us to remain, but they say we will soon go, leaving them no protection but their walls and their own men, of whom the best, their Sacred Band, are all dead. And I think they speak the truth, for already I have heard some say we will break our camp tomorrow.
There are many inns here, but the black man and I have no money, so we sleep outside the walls with the other soldiers of the Great King. I wish I had described the healer when I first wrote, for I cannot find him among so many. There are many piebald mules and not a few one-eyed men, but none of the one-eyed men will say he is the servant of the healer.
Most will not speak with me; seeing my bandages, they think I have come to beg. I will not beg, yet it seems to me less honorable to eat what the black man takes, as I just did. This morning I tried to take food in the market as he does, but he is more skilled than I. Soon we will go to another market, where I will stand between him and the owners of the stalls as I did this morning. It is hard for him, because the people stare; yet he is very clever and often succeeds even when they watch him. I do not know how, because he has shown me many times that I am never to watch.
While the black man speaks with his hands and the rest argue, I write these words in the temple of the Shining God, which stands in the agora, the great market of Hill. So much has happened since I last wrote - and I have so little notion of what it may mean - that I do not know how I should begin.
The black man and I went to a different market after we had eaten the first meal and rested, to the agora, in the center of the city. Here jewelry and gold and silver cups are sold, and not just bread and wine, fish and figs. There are many fine buildings with pillars of marble; and there is a floor of stone over the earth, as though one stood in such a building already.
In the midst of all this and the thronging buyers and sellers, there is a fountain, and in the midst of the fountain, pouring forth its waters, an image of the Swift God worked in marble.
Having read of him in this scroll, I rushed to it, thinking the image to be the Swift God himself and calling out to him. A hundred people at least crowded around us then, some soldiers of the Great King like ourselves, but most citizens of Hill. They shouted many questions, and I answered as well as I could.
The black man came too, asking by signs for money. Copper, bronze, and silver rained into his hands, so many coins that he had to stop at last and put them into the bag in which he carries his possessions.
That had a bad effect, and little more was given; but men with many rings came and said I must go to the House of the Sun, and when the black man said we would not, said the Sun is the healer and called upon some soldiers of Hill to help them.
Thus we were taken into one of the finest buildings, with columns and many wide steps, where I was made to kneel before the prophetess, who sat upon a bronze tripod. There was much talk between the men with rings and a lean priest, who said many times and in many different ways that the prophetess would not speak for their god until an offering was made.
At last one of the men with many rings sent his slave away, and when we had waited longer still, and all the men with many rings had spoken of the gods and what they knew of them, and what their fathers and grandfathers and uncles had told them of them, this slave returned, bringing with him a little slave girl no taller than my waist.
Then her owner spoke of her most highly, pointing to her comely face and swearing she could read and that she had never known a man. I wondered to hear it, for from the looks she gave the slave who had brought her she knew him and did not like him; but I soon saw the lean priest believed the man with many rings hardly more than I, and perhaps less.
When he had heard him out, he drew the slave girl to one side and showed her letters cut in the walls.
These were not all such letters as I make now, and yet I saw they were writing indeed. "Read me the words of the god who makes the future plain, child," the lean priest commanded her. "Read aloud of the god who heals and lets fly the swift arrows of death."
Smoothly and skillfully the slave girl read:
"Here Leto's son, who strikes the lyre
Makes clear our days with golden fire,
Heals all wounds, gives hope divine,
To those who kneel at his shrine."
Her voice was clear and sweet, and though it was not like the shouting on the drill field, it seemed to rise above the clamor of the marketplace outside.
The priest nodded with satisfaction, motioned the little slave girl to silence, and nodded to the prophetess, who was at once seized by the god they served, so that she writhed and shrieked upon her tripod.
Soon her screams stopped, and she began to speak as quickly as the rattling of pebbles in a jar, in a voice like no woman's; but I paid little heed to her because my eyes were on a golden man, larger than any man should be, who had stepped silently from an alcove.
He motioned to me, and I came.
He was young and formed like a soldier, but he bore no scars. A bow and a shepherd's staff, both of gold, were clasped in his left hand, and a quiver of golden arrows was slung upon his back. He crouched before me as I might have crouched to speak with a child.
I bowed, and as I did I looked around at the others; they heard the prophetess in attitudes of reverence and did not see the golden giant.
"For them I am not here," he said, answering a question I had not asked. His words were fair and smooth, like those of a seller who tells his customer that his goods have been reserved for him alone.
"How can that be?" Even as he spoke, the others murmured and nodded, their eyes still on the prophetess.
"Only the solitary may see the gods," the giant told me. "For the rest, every god is the Unknown God."
"Am I alone then?" I asked him.
"Do you behold me?"
I nodded.
"Prayers to me are sometimes granted," he said. "You have come with no petition. Have you one to make now?"
Unable to speak or think, I shook my head.
"Then you shall have such gifts as are mine to give. Hear my attributes: I am a god of divination, of music, of death, and of healing; I am the slayer of wolves and the master of the sun. I prophesy that though you will wander far in search of your home, you will not find it until you are farthest from it. Once only, you will sing as men sang in the Age of Gold to the playing of the gods. Long after, you will find what you seek in the dead city.
"Though healing is mine, I cannot heal you, nor would I if I could; by the shrine of the Great Mother you fell, to a shrine of hers you must return. Then she will point the way, and in the end the wolf's tooth will return to her who sent it."
Even as this golden man spoke he grew dim in my sight, as though all his substance were being drawn again into the alcove from which he had stepped only a moment before. "Look beneath the sun ... "
When he was gone I rose, dusting my chiton with my hands. The black man, the lean priest, the men with many rings, and even the child still stood before the prophetess; but now the men with many rings argued among themselves, some pointing to the youngest of their number, who spoke at length with outspread hands.
When he had finished, the others spoke all together, many telling him how fortunate he was, because he would leave the city; whereupon he began once more. I soon grew tired of hearing him and read what is written here instead, then wrote as I write now - while still they argue, the black man talks of money with his hands, and the youngest of the men with many rings (who is not truly young, for the hair is leaving his head on both sides) backs away as if to fly.
The child looks at me, at him, at the black man, and then at me once more, with wondering eyes.
Chapter 3 Io
The slave girl woke me before the first light. Our fire was nearly out, and she was breaking sticks across her knee to add to it. "I'm sorry, master," she said. "I tried to do it as quietly as I could."
I felt I knew her, but I could not recall the time or place where we had met. I asked who she was.
"Io. It means io - 'happiness' - master."
"And who am I?"
"You're Latro the soldier, master."
She had thrice called me "master." I asked, "Are you a slave, then, Io?" The truth was that I had assumed it already from her tattered peplos.
"I'm your slave, master. The god gave me to you yesterday. Don't you remember?"
I told her I did not.
"They took me to the god's house because he wouldn't tell them anything till somebody brought a present. I was the present, and for me he seized the priestess so she just about went crazy. She said I belonged to you, and I should go with you wherever you went."
A man who had rolled himself in a fine blue cloak threw it off and sat up at that. "Not that I recall," he said. "And I was there."
"This was afterward," Io declared. "After you and the others had left."
He glanced at her skeptically, then said, "I hope you haven't forgotten me as well, Latro." When he saw I had, he continued, "My name is Pindaros, sir, son of Pagondas; and I am a poet. I was one of those who carried you to the temple of our patron."
I said, "I feel I've been dreaming and have just awakened; but I can't tell you what my dream was, or what preceded it."
"Ah!" Reaching in his traveling bag, Pindaros produced a waxed tablet and stylus. "That's really rather good. I hope you won't mind if I write it down? I might be able to make use of it somewhere."
"Write it down?" Something stirred in me, though I could not see it clearly.
"Yes, so I won't forget. You do the same thing, Latro. Yesterday you showed me your book. Do you still have it?" I looked about and saw this scroll lying where I had slept, with the stylus thrust through the cords.
"It's a good thing you didn't knock it into the fire," Pindaros remarked.
"I wish I had a cloak like yours."
"Why, then, I'll buy you one. I've a little money, having had the good fortune to inherit a bit of land two years ago. Or your friend there can. He collected quite a tidy sum before we took you to the House of the God."
I looked at the black man to whom Pindaros pointed. He was still asleep, or feigning to be; but he would not sleep much longer: even as I looked, horns brayed far off. All around us men were stirring into wakefulness. "Whose army is this?" I asked.
"What? You a soldier in it, and you don't know your strategist?"
I shook my head. "Perhaps I did, once. I no longer remember."
Io said, "He forgets because of what they did to him in that battle south of the city."
"Well, it used to be Mardonius's, but he's dead; I'm not sure who commands now. Artabazus, I think.
At least, he seems to be in charge."
I had picked up my scroll. "Perhaps if I read this, I'd remember."
"Perhaps you would," Pindaros agreed. "But wait a moment, and you'll have more light. The sun will be up, and we'll have a grand view across Lake Copais there."
I was thirsty, so I asked if that was where we were going.
"To the morning sun? I suppose that's where this army's going, if Pausanius and his Rope Makers have anything to say about it. Farther, perhaps. But you and I are going to the cave of the Earth Goddess. You don't remember what the sibyl said?"
"I do," Io announced.
"You recite it for him, then." Pindaros sighed. "I have a temperamental aversion to bad verse."
The slave girl drew herself up to her full height, which was small enough, and chanted:
"Look under the sun, if you would see!
Sing! Make sacrifice to me!
But you must cross the narrow sea.
The wolf that howls has wrought you woe!
To that dog's mistress you must go!
Her hearth burns in the room below.
I send you to the God Unseen!
Whose temple lies in Death's terrene!
There you shall learn why He's not seen.
Sing then, and make the hills resound!
King, nymph, and priest shall gather round!
Wolf, faun, and nymph, spellbound."
Pindar shook his head in dismay. "Isn't that the most awful doggerel you ever heard? They do it much better at the Navel of the World, believe me. This may sound like vanity, but I've often thought the sheer badness of the oracle in our shining city was meant as an admonition to me. 'See, Pindaros,' the god is saying, 'what happens when divine poetry is passed through a heart of clay.' Still, it's certainly clear enough, and you can't always say that when the god speaks at the Navel of the World. Half the time he could mean anything."