Tunnel of Bones Page 16

“I suggest,” Lara is saying, “you start by figuring out where he came from, how he died. Call me when you have a solid lead. And, Cassidy?”

“Yeah, I know. Be careful.”

We both hang up, and I stand, picking my way through the seats. I play Lara’s conversation again in my head.

“Hey, Jacob,” I say. “You remember, don’t you?”

His face darkens a little. “Remember what?”

I swallow. “Who you were, before. How you …” I don’t say the word, but I think it. Died. Jacob’s face shutters like a window, all the color and humor suddenly gone.

“Are you serious?”

“I’m just asking.”

“I’m not a poltergeist, Cassidy,” he snaps, the hair rising around his face.

I shiver, suddenly cold, and for a second, I think the chill is coming from him before something snaps onstage and a massive piece of the set begins to fall forward.

Straight toward my parents.

Look out!” I scream, already running.

“Cass, wait!” calls Jacob as I leap over a seat and into the aisle.

Mom and Dad turn toward me and then look up, their eyes wide as the wooden frame tips forward. Shouts go up across the stage, and I crash into my parents, hoping to force them out of the way, but at the last second, the massive set piece shudders to a halt. It stops a few feet above our heads, half a dozen ropes and cables pulled tight.

“Désolé!” calls a stagehand. Pauline shakes her head and answers in a flurry of French, sounding furious.

The tirade goes on for several long seconds before she shakes her head and turns back toward us. “Theater.”

Mom laughs, a breathy, relieved sound, and Dad pats my shoulder. I must be looking as shaken up as I feel because he soothes me, saying, “It’s okay, Cass. We’re all okay.”

“That’s why they have more than one rope,” adds Mom.

But my heart is still pounding in my chest as I follow my parents outside onto the street. They could have been hurt. They could have been killed.

I swallow. One thing is for sure: The poltergeist is after me, not my parents. If we split up, then at least they’ll be out of harm’s way.

“And we’ll be right in it,” says Jacob. “Besides,” he adds, waving a hand at my parents, “how exactly are we supposed to get away from the Inspecters here?”

Good question.

My mind races as I try to think. Then we round a corner, and I slow down at the sight of a movie theater.

I have an idea.

Most of the movies are in French, of course. The only ones showing in English are a horror film—no thank you—and a teen rom-com, one of those generic feel-good stories, the poster featuring a girl with a series of boys in thought bubbles over her head.

And there’s a showing in ten minutes.

I stop, admiring the poster. “I’ve been wanting to see this,” I say softly, as if to myself.

Mom wraps an arm around my shoulder. “Since when do you like rom-coms?”

I shrug. “I don’t know. Lara told me about it.” She didn’t, of course, but as far as lies go, it’s pretty innocent. “It seems fun. Maybe I’m just feeling a little ghosted-out. This is my summer vacation, after all. And Paris is amazing, but I just— I’d really love to do something normal.” I point to the start time. “There’s even a showing now.” I look up at her. “Can I go? You can pick me up later.”

Mom sulks. “But we’re going to the Rue des Chantres! You wouldn’t want to miss that.”

I bite my lip and let my shoulders fall. “I guess not.”

Jacob claps his hands at my Oscar-worthy performance. Mom and Dad exchange a glance, and then a few quiet words, before Mom nods and says, “Okay.”

I throw my arms around her shoulders. “Thank you.”

Dad slides a few bills through the ticket window, and he even gives me some cash for a soda and popcorn.

“We’ll be back,” he says, “before the movie ends.” He points to the sidewalk. “Right here.”

I wave goodbye and head inside, buying a snack at the counter, letting the usher tear my ticket. He points to the first theater on the left, and Jacob and I make our way into the darkened theater.

“A movie,” Jacob says, sinking into the leather seat. “This is a nice change of pace.”

I sip my soda and check my phone, waiting for one minute to pass, then two. I set a timer on my phone for two hours.

Jacob watches me. “We’re not staying for the movie, are we?”

I get up, leaving the bucket of popcorn at my feet. “Nope.”

Jacob sighs. “Just once,” he says, “I wish we’d do the normal thing.”

I push open the door marked EXIT, and we slip down the hall and out onto the Paris street.

“Where’s the fun in that?”

 

Paris is a big city, and as we stand on the street, blocks stretching in every direction, two hours suddenly doesn’t seem like very much time.

“Time to do what?” asks Jacob, for once unable to make sense of my jumbled thoughts.

I don’t blame him. My head is spinning with everything I know and everything I don’t.

I have to remind the poltergeist who he is—was.

In order to do that, I have to figure out who he is—was.

In order to do that, I have to find out more about him.

In order to do that …

I take a deep breath and reach for the Veil, pulling the curtain aside before Jacob can even think to protest.

I step out of the world, into a moment of free fall, like a missed step, a lurch of darkness. Then Paris settles around me again, stranger, grayer, older. The buildings look different, no longer uniform rows of pale stone but mismatched, like a ragged hem.

I cup my hands around my mouth and call, at the top of my lungs, “HEY, GHOST!”

The words echo away into the fog. I take a breath and shout.

“COME OUT, COME OUT, WHEREVER YOU AR—”

Jacob appears, clapping a hand over my mouth.

“What are you doing?” he hisses.

I pull free. “I’m tired of letting him call all the shots. I don’t want to do this on his terms anymore. I want to do it on mine.”

“So your best idea is to shout until he shows up?”

“We need a better look at him, right?”

“Yeah,” says Jacob, “but last time you came face-to-face, he pushed you off a roof.”

“Well, this time, my feet are on the ground. Besides …” I trail off. Over Jacob’s shoulder, a shadow is taking shape in the fog, moving toward us.

But when the figure parts the mist, it isn’t the poltergeist.

It’s a man in an old-fashioned suit. He lifts an old-fashioned pistol and aims it straight at me, and Jacob wrenches me back out of the Veil before the shot goes off.

I crash through a wave of cold water before landing on my butt on the curb in present-day Paris. Jacob looms over me, folding his arms. “You really should have seen that coming.”

I get to my feet, brushing off my jeans, and start walking.

As soon as I think I’m far enough away from the ghost with the gun, I take a deep breath and reach for the Veil again.