One shot.

I wrench my hand from his and throw myself forward as both of us dive for the gun. My hand wraps around the grip as I hit the floor and roll, certain I’m going to feel the creature’s inhuman grip crushing my ankle or my windpipe at any moment. The air grows thick with whispering voices calling to me, visions of loved ones long dead flickering in front of my eyes as my mouth floods with the taste of copper. I blink frantically as I come back up on my knees, dizzy and blinded by the false messages the creatures are sending my mind. I swing the gun around, drawing one breath, time slowing to a crawl. Then I let out the breath and fire.

A circuit board among the machinery explodes into fragments, sending a shock wave of electricity through the wiring. The entire room flickers wildly, the core of machinery flashing through the dark like a strobe. The whisper, inches away from grabbing me, suddenly drops to the floor with a scream. I can see Flynn’s dilated eyes fixed on mine, lips parted in pain.

The power crackles and surges, building to a roar that sends me crashing to the ground. I crane my head, trying to see Flynn—trying to see the creature inside him, the creature that’s dying—but I can see only his outline silhouetted by the sparks and surges. I shout, but I can’t hear my own voice over the roar. I reach for Flynn, trying to drag myself upright, but just as I’m about to take his hand, the entire core blows with a force that sends us both flying, and the room goes black.

The girl reaches out her hand. The stars are so close she can graze them with her fingertips, but each time she touches one, it shatters into a thousand pieces. The girl hangs suspended, her hair floating in Avon’s currents, water and darkness and space no harder to breathe than air, and searches for the November ghost. She knows it’s here, hidden—and she must ask why it left, why it abandoned her in the moment she needed dreams most.

She pushes through the broken stars, which shatter and fall around her like curtains of rain, vanishing into the bottomless waters, down into the heart of Avon.

THIS FEELS LIKE THE TIME Sean shoved me off the top of the lookout rock when we were eleven. Every bone in my body aches, pain lancing along my ribs as I inhale. I grope my way toward consciousness, white lights exploding against my closed eyelids.

Then there’s something touching my fingers—it’s another hand, squeezing mine. “Flynn?” Jubilee’s voice is ragged. I open my eyes to find myself in a dimly lit room with a domed roof. What light there is comes from the hallway outside. I squeeze her hand in return and hear her gasp a sob as I concentrate on breathing, and wait to understand.

Between one blink and the next, I remember the passengers in my mind, and the conversations between myself and Jubilee that I watched through a gauzy veil, too slow and stupid to remember how to reach out and speak my own thoughts. I remember the wrench of separation, and what it was to die, and my breath catches in my throat.

I blink again, and as I manage to focus my gaze, our eyes meet. For an instant I see it all in her eyes as she looks back at me—the pain of bearing witness, the last vestiges of her fear. Her sadness. Her hand shakes as she reaches out to touch my face, to see the way her touch affects me; her relief swells, and when I try to smile at her, a weak fragment of a thing, she lets out a harsh, wrenching sound, head dropping.

She stays that way for a heartbeat, letting out a breath. When she lifts her head again, I see her soldier’s mask slide back into place, despite the tears still wet on her cheeks. But there’s something different about that shield now, a warmth I can’t identify until she looks at me once more, and I realize her heart is still in her eyes. “Can you move?” She’s speaking as she climbs to her feet, taking my hand to pull me with her. “There are monitors everywhere—LaRoux will know what we’ve done.”

“The comms tower.” I stagger upright, keeping hold of her hand. “Like Lilac said, a galaxy of witnesses, so he can’t destroy Avon. So he can’t silence us.”

“The military and the Fianna are out there.” She shakes her head, gasping the words as she shoves the gun she took from the whisper into her holster.

“A broadcast is the only way to keep Avon safe.” I squeeze her hand, knowing what I’m asking. The odds that both of us will make it through the chaos of open war unscathed are almost impossible. “If I can make our people hear me too, maybe we can end this.”

Jubilee gazes back at me for a long moment, then tightens her hand in mine. “Then let’s go.”

The facility is chaotic. Mercenaries freed from their trances stagger from room to corridor, trying to understand where they are and why. Scientists and researchers in white coats lie still where they fell, though I can’t tell if they’re dead or unconscious. Perhaps it’s LaRoux’s last fail-safe, part of whatever he did to their brains, a way to make sure they couldn’t talk.

We work our way up staircases and through hallways, climbing to the surface. We’re just two more bodies in the chaos, and I keep my head down, hand wrapped tight around Jubilee’s as we race down the hallway. With every step my energy’s returning, hope surging through me. The fight’s not over yet. My head’s clear, my lungs are working more easily. By the time we reach the door to the compound, I feel better than I have since we climbed onto the shuttle to head for the spaceport. I feel alive. Now all we have to do is stay that way.

Outside it’s still dark, dawn at least an hour away. There’s a faint light to the east, enough to make out the silhouettes of people running everywhere. This facility, hidden until now, has become a battlefield. We stare out of the open doorway until, with a low cry of warning, Jubilee yanks at my arm to pull me down to the floor. Half an instant later, a laser ricochets off the metal door frame inches from where I’d been standing.