Rick calls work, telling them that he won’t be in. Then he settles by the table again, his hands palms down on the stained surface.

“Tell me about seals,” Jillian says.

END OF WHITE

Coronet Kovalevsky had never expected to find that land was finite. It seemed so abundant to him when he was younger, something you could never possibly run out of—or run off of—that the very suggestion seemed ludicrous. Yet there he was in the summer of 1919, teetering on the precipice of the Crimean peninsula, with very little idea of what to do after Wrangel’s inevitable defeat and his own presumed tumble into the Black Sea. He had decided that he would not join the Bolsheviks—not so much out of any deeply held belief but rather because of his inherent disposition to avoid any large amounts of soul-overhauling work. He appeared committed and idealistic from the outside, even though inside he knew it was mere laziness and ennui.

So he lingered with the rest of his regiment in the small Crimean town (more of a village, if one was to be honest) named N., close to the shore, away from the invading Red armies and the dry, fragrant steppes that smelled like thyme and sun. At first, the officers kept to themselves, spending their days playing cards in the town’s single tavern, and waiting for the news from the front. The evacuations of Murmansk and Arkhangelsk had already started, and the British hospital near N. promised the same opportunities for salvation, if the things didn’t go the way Wrangel wanted them to. They waited for the fighting, for some way to end this interminable standoff. Kovalevsky hoped that his demise would be quick and, if not glorious, then at least non-embarrassing.

But the days were warm, the house he stayed in had white curtains on its tiny windows, cut like embrasures in thick clay walls—walls that retained pleasant coolness long into the afternoon heat. A split-rail fence half-heartedly guarded long rows of young sunflowers and poppies, with more mundane potatoes and beets hidden behind them, and a couple of chickens scratched in the dust of the yard. It was not unpleasant, if overly rustic.

The owner of the clay-walled, thickly-whitewashed house was one Marya Nikolavna, a small and disappearing kind of woman who seemed neither overjoyed nor appalled to have an officer quartering in her house; but nonetheless she frequently brought him homemade kvas and ripe watermelons, their dark green skins warm from the sun and their centers cold as well water, red and crumbling with sugar. She did not complain when Olesya started to come by.

Oh, Kovalevsky could tell that there was gypsy blood in Olesya—there was wildness about her, in the way the whites of her eyes flashed in the dusk of his room, the way her pitch-black braid snaked down her back, its tip swinging hypnotic as she walked. It took him a while, however, to recognize that it wasn’t just the wild gypsy fire that smoldered hot and low in her blood, it was something else entirely that made her what she was.

It was a cloudy, suffocating kind of day in July, when everything— man, beast, and plant—hunkered close to the ground and waited for the relief of a thunderstorm. Unease charged the air with its sour taste, and Kovalevsky, feeling especially indisposed to getting out of bed that day, watched Olesya pad on her cat-soft feet across the wide floorboards, her half-slip like a giant gardenia flower, her breasts, dark against the paler skin stretched over her breastbone, lolling heavily. She opened the curtains to peer outside, the curtain of her messy black hair falling over half her back. Her profile turned, silver against the cloudy darkened glass. “It’s going to rain,” she said, just as the first leaden drops thrummed against the glass and the roof, formed dark little craters in the dust, pummeled the cabbage leaves like bullets.

And just as if the spell of heavy, lazy air was lifted, Olesya straightened and bounded out the door, shrieking in jubilation.

Kovalevsky, roused from his languid repose by the sound as well as the breaking heat, sat up on the bed, just in time to see Olesya running across the yard. He cringed, imagining her running through the village like that, half naked—not something he would put beyond her—as she disappeared from view. She soon reappeared, fists full of greenery, and came running inside, her wet feet slapping the floor and the black strands of her hair plastered to her skin, snaking around her shoulders like tattoos.

“What’s this?” Kovalevsky asked, nodding at the tangled stems in her fist beaded with raindrops.

“This is for you,” she said as she tossed a few poppies, their capsules still green and rubbery, at his bed. “And this”—she held up dark, broad leaves and hairy stems of some weed he didn’t know—“this is for me.”

She found his pen knife on the bed table and drew crisscrossing lines on the green poppy capsules, until they beaded with white latex. Kovalevsky watched, fascinated—the drops of rain, the drops of white poppy blood . . . it made sense then when Olesya drew the blade along the pad of her left thumb, mirroring the beaded trail in red. And in this cut, she mashed a dark green leaf, closing her eyes. She then wadded up the rest of the leaves and stuck them behind her cheek, like a squirrel. She tossed the pearled poppy capsules at Kovalevsky. “Here.”

He wasn’t naïve, of course—he just didn’t feel any particular need for additional intoxicants. But under Olesya’s suddenly wide gaze, her pupils like twin wells, he drew the first capsule into his mouth and swallowed, undeterred by its grassy yet bitter taste.

His sleep was heavy, undoubtedly aided by the monotone of the rain outside and by the drug in his blood. He dreamed of waves and of Olesya, of her bottomless eyes. He dreamed of her wrapping his head in her white underskirts so that he became blind, mute, and deaf, and his mouth filled with suffocating muslin. He woke up, coughing, just as the moon looked into his room through the opened curtains and opened window. Olesya was gone—of course she was, why wouldn’t she be? Yet, he was uneasy, as he stared at the black sky and the silver moon. He imagined it reflecting in the sea, just out of sight, in parallel white slats of a moon road. It was so bright, the large fuzzy stars in its proximity faded into afterimages of themselves.

The opium still clouded his senses and his mind, and he lolled on the border between sleep and wakefulness, his mouth dry and his eyelids heavy, when fluttering of curtains attracted his attention. He peered into the darkness and managed to convince himself that it was just the wind, a trick of light, but just as he started to drift off, a spot in the darkness resolved into an outline of a very large and very black cat, who sat on the floor by the foot of his bed, its green eyes staring.

Now, the cats as such were not an unusual occurrence—like any place that grew crops, the village was besotted by mice, and cats were both common and communal, traveling from one barn to the next yard, from a hay loft of one neighbor to the kitchen of another. They were welcomed everywhere, and their diet of mice was often supplemented by milk and meat scraps (but never eggs: no one wanted the cats to learn to like eggs and start stealing them from under hens). Yet, this cat seemed particularly audacious, as it sat and stared at Kovalevsky. He stared back until his eyelids fluttered and gave out, and he felt himself sinking into his drugged sleep again; through the oppressive fog, he felt the cat jump up on the bed and he was surprised by its heft—the bed gave and moaned as the beast, soft-pawed, kneaded and fussed and finally curled next to his thigh.

The next morning came with no traces of the strange cat’s presence—or Olesya’s, for that matter. Kovalevsky felt rested, and decided to visit the only drinking establishment the village possessed—indicated only by a faded and yet unusually detailed sign depicting a black goat with what seemed to be too many limbs, a fancy often found in rustic artists. The tavern was located in the same building as N.’s only hotel; it was a wide, low room housing a series of rough tables and serving simple but filling fare—borscht and dumplings swimming in butter and sour cream, then black bread and pickled beets and herring. This is where most of the officers spent their days—at least, those who had not been lucky enough to take up with one of the local sirens.

To his surprise, the tavern was quiet; the owner, a well-fed and heavily mustachioed Ukrainian named Patsjuk, lounged at the table nearest to the kitchen.

Kovalevsky asked for tea and bread and butter, and settled at the wide table by the window. The grain of the rough wooden slats was warm under his fingertips, a tiny topographic map, and he closed his eyes, feeling the ridge, willing them to resemble the terrain they had covered. There was just so much of it—on foot and horseback, on the train, sleeping in the thin straw, next to the peasants and lost children crawling with typhoid lice. The railroads and the regular roads (highways, dirt paths, streets) went up and down and up again, wound along and across rivers, through the mountains, through forests—and his fingers twitched as he tried to remember every turn and every elevation, until Patsjuk brought him his tea and warm bread, peasant butter (melted and solidified again into yellow grainy slabs) piled on the saucer like stationary waves.

“Where’s everyone?” Kovalevsky asked. His tea smelled of the same heavy greenery that tainted Olesya’s breath last night, and he wondered about where she went—to what Sabbath.

Patsjuk shrugged and leered. “Wouldn’t know. Your Colonel was by the other day, but he’s just about the only one who even comes anymore. I suspect the rest discovered the moonshiners, or some other nonsense abomination.” He spat.